There's something silly about this drawing. I'm enjoying the thick inky lines. Like paint markers.

It was a long day in the studio. I spent a considerable amount of time experimenting with new materials for a series of works on paper. I have been cutting pages of text from a number of exceptional design magazines to use in these works. The quality of these magazines means there is a great deal of care that had been taken in setting the type. That kind of care creates a color and rhythm over paragraphs.

I used one such page to create these test sketches.

Decided to keep the same color palette and some flowing marker-like tools.

I've always loved making these elliptical shapes. They are like sea shells to me. After I had made this drawing I thought of mussels.

Pretending I have transparent paint markers.

The color glides across the surface.

Starting a new series called 18 lines.

Each of these drawings will only have 18 lines. I began a test on a synthetic paper with graphite yesterday. The quality of the lines are what I was looking for, but the visual experience from a distance is not.

These are repetitive, meditative pieces a response to the sounding series.

For my last series of drawings I constructed an acetate mask to make the background color fields on which I would place my marks. This was successful and I like that way of creating color fields. But I want to make a different single stroke mark. I could use a brush to do that but it would use too much pigment for the surface I want.

The studio is cleaned up and I'm back to work experimenting with two new series of drawings. This pic is after my coffee was brewed and I was taking a break after working for about 4 1/2 hours. I'm not exactly sure how I even took this weird little selfy.

Lightness.

Dancing, floating, weightlessness.

A good start.

It's a caterpillar!

Getting into a scribbly state of mind.