Obliviate
This drawing is all about energetic scribbling. Drawing with abandon. Marks layer after layer after layer.
The app however lets me create marks on top of other marks without distruction to the marks below. That’s like me using a spray fix or medium that does not break down if it has dried when the same medium is placed over.
I really enjoyed making this one.
I just wanted to scratch the surface with hue after hue.
A new combination oof marks. Really playing with making different tools and determining what kind of energy or representational value they have in the drawing.
In this one I learned a bit more about a fluid transparent mass.
Everything in this drawing is about layering. Using many mark-making tools in this piece. Crazy tight balls of wire, stamped transparent marks, and circles which I love on the iPhone. A bit of scribbling and I feel like I’ve drawn a big ball of lint.
I wanted to get back to dragging a color accross space as if I had a piece of pastel in my hand.
Working with the same kind of emergent shapes as some of the earlier line drawings; only this time creating more mass.
Love this shape and I’m going to experiemnt more with it.
The sun energy is undeniable.
Everything feels turned up to 10. Embracing making these knots of lines.
Bundled energy.
The summer sun has started to take hold in every part of my body. I see this yellow. I feel this yeloow.
It iis the sun on my face and the heat in my heart.
Everything is being recharged.
This set of marks in this color space is so much about nature.
I imagine them in graphite and I would think of concrete and asphalt.
Feathery nature.
Fronds come to mind. Little fiddleheads. They just flow out of my finger and onto the iPhone.
There is something magical about it.
Working with some shapes. They are the kind you make when you are a kid. I always want to make marks like when I was a kid. I try to bring them into my sketching all the time.
Those marks activate something in my brain that frees me to draw more orderly marks with joy.
It’s hard to explain.
The crossing of lines has always been a way I have wanted to drawing. Making a space transparent or opaque with little openings that can't be denied. Here the open and closed places that obscure most of the marks asks me to seek them out. Only a slight tonal variation. I feel as if I'm standing in the shade.
