drawing

3060 marks one splat on Yupo

Another in my new series of ink drawings on Yupo.

I was well into this drawing. Only a few rows short of being finished. All I could hear was my breath, the tap of my pen on the Yupo surface. I had just filled my pen when a vibration and a door slam startled me.

The result, a splat.

I gathered myself and decided to finish the drawing. Title 3060 splat

new series unnamed drawings

I've made several small drawings rendering repetitive marks to create patterns. These drawings are part of continuing experimentation on rhythms created by the repititive marks using tools that must be dipped or filled with limited amounts of pigment. 

The changes in the marks are a direct result of the depletion of the pigment. I'm working on both large and small drawings. Looking forward to making more.

In the Studio : late March

I began a series of marks on a piece of engineering vellum this past week. It revealed some very compelling patterns. After a very interesting conversation with art bud Brian Dennis I took to a new drawing. Looking to make a larger drawing. One with the same mark over and over.

These images are my first effort. The rhythm/pattern is revealing itself.

This is the result of three days of drawing. I'm looking forward to working on this drawing again and the others that will come after it. I have a whole drawer of Yupo sheets that can be the surface for these drawings.

in the studio : late March

Marks side by side.

Another experiment on white Yupo with my new marker and acrylic ink. I'm enjoying this adventure into everything synthetic. So strange trying to control the quality of the line as it glides across the surface. I find this an exciting alternative to my rag paper and traditional inks. The other side of the coin in a way. I enjoy both and switching back and forth always keeps me sharp.

This drawing is in it's early stages. I don't know if it really will be something but the trip has been worth it so far.

in the studio March : green for spring

This past week I pulled out an experimental drawing on Yupo. I've been looking for additional tools to make marks I discovered while making my 366 project.

This week I have been doing some experiments with an ink marker.

These are new green marks I added. I'm pleased with the result but the drawing still isn't finished. It hasn't heald my attention. I've hung it on a studio wall while I try to discover what I'll do next.

in the studio : stick patterns for spring

This new drawing was inspired by my recent walnut ink drawings.

Where the walnut ink is subtle the acrylic ink I used for this drawing and a humber of others is not. Still there is an amazing variation of hue and intensity. This drawing and a number of others consist of 18 lines drawn and stacked on a single small sheet. This would fit in a   9 x 12 inch frame.

I often draw brown marks in the spring. These recent drawings are like little sticks. The drawing wants another mark. Something warmer? Not sure yet.

ink drawing on engineering vellum

This is another drawing I began and set aside. I pulled it out this week and added a series of lines. It needs more work. I'm interested in maintaining the presence that the white lines have.

It's hanging on the working wall now so that I can approach it again. It may take some time to discover what is next. I'm ok with that.

Eight drawings with walnut ink.

Back in the studio. It take lots of energy to make a drawing especially a large one. To get back in shape I have been making small drawings. These drawings were made with my new nibs and gift walnut ink,

These lines feel like little twigs.

I made a series of eight on Rives BFK. This is the begining. So tempted to leave them just the way they are. The quality of the line is so amazing. I do have ideas for what will come next but I need to do some experimentation with how the ink will respond when I add a layer on top.

Old marks, new marks, drawing on dark paper

I pulled out another drawing I had started months ago. I had been confused about where to go after having drawn different tonal rhythms on a sheet of rag paper. The paper is dark grey and I was using acrylic inks that are very saturated. I had also used transparent matte gesso and sanded the surface.

Adding the next layer of marks would have to hold the tonal areas together. I decided to test the preious thread-like marks I had made previously on another small drawing. 

Now to be patient and see what it asks for next. 

 

 

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